Letter from Charles Kennedy Scott to Ward Smith inviting her for an audition, 5 April 1916.Дў. Oriana Madrigal Society (1904-1962, founded and condudcted by Charles Kennedy Scott (1867-1965), pereforming initially English Elizabethan music, and later more contemporary material): newspaper cuttings about and programmes for performances,ДЎ. There are Excel spreadsheet lists of the whole collection (including the much greater quantity of printed items) maintained by the depositor.ДЄ start has barely been made on cataloguing the approximately 4000 printed items in the collection MS Volumes, generally, in manuscript of music, with occasioanl other itemsД¬atalogued into XML by Michael Stansfield, with Anastasia Akulich and Florence Lockheart, in 2018, with subsequent additions by Michael StansfieldДЇurther acccruals are anticipated so far the occasional item has been added to his material roughly every few months or so The autograph letters and manuscripts are generally ordered chronologically by date of acquisition by the depositor this order has been retained as further accruals are anticipated.ДЄL Autograph letters from or two musicians, with some associated printed ephemera Where possible with identifying copyright owners, but responsibility for ensuring copyright clearance rests with the user of the material Permission to make any published use of material from the collection must be sought in advance from the Sub-Librarian, Special Collections (e-mail and, where appropriate, from the copyright owner. Misc.2015/16:86), with various subsequent additional deposits to 2020.

In addition MS 24 has been used as a cash book for provisions and dress-making in the USA in the later 19th century and 80 is a military campaign sketchbook from British India in the 1840s.Дeposited by Simon D.I. There are also occasional part books and accounts for music Many have owner inscriptions of mainly ladies of the early or later nineteenth century. Some are for instruments such as the harp, trumpet or flute. Manuscript music books, and some occasional loose folios, being mainly collections of songs and piano pieces drawn from operas, oratorios and popular songs in England, Scotland and Wales for individual practice and performance at home, though The manuscript part of the collection comprises two groups of material:ДЄutograph letters, being single or small groups of letters from or to musicians, composers and singers 1784 to the 1930s, with sometimes printed ephemera. He himself plays a lot of the music he has collected, as does the Baroque Ensemble he runs as part of his job as Course Leader for Music at the Queen Elizabeth Sixth Form College in Darlington. He has been deputy organist at Penrith parish church, and was later organist at Bishop Middleham Church and, most recently, St HeД¬ontinues to write with a focus on music in eighteenth-century Britain, and much of the collection reflects this interest. He has also been involved in the production of numerous CDs produced by the Avison Ensemble, including recordings of music by Charles Avison and John Garth. Major resource of original printed and some manuscript music material from the period. The first part of this detailed the historical background to the music and musicians, and the second part examined the musical compositions themselves. Of Music Production in Durham City 1711-1811: A Documentary Study'. The bulk of the collection however was built up when he was engaged upon his PhD at Durham University, awarded in 2009 for a thesis entitled 'A Century Being employed at the time of his MMus, gained from Liverpool University in 1999 forДЄ thesis on the Newcastle composer Charles Avison, he began to collect such material seriously. Fleming's interest in antiquarian music was sparked when, as an undergraduate, he was given some by the widow of a Penrith organist. Language: English with some Italian, French, Russian and WelshД«orn in Penrith, Simon D.I. Held by: Durham University Library, Archives and Special Collections Fleming Music CollectionДates of creation: 14th - early 20th centuries, mostly later 18th - early 20th centuries

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